Margaret Cho was born December 5, 1968 and raised in San Francisco. “It was different than any other place on Earth,” she says. “I grew up and went to grammar school on Haight Street during the ’70s. There were old hippies, ex-druggies, burnouts from the ’60s, drag queens, and Chinese people. To say it was a melting pot – that’s the least of it. It was a really confusing, enlightening, wonderful time.”



Her grandfather was a Methodist minister who ran an orphanage in Seoul during the Korean War. Ignoring the traditions of her patriarchal culture, her mother bravely resisted an arranged marriage in Korea and married Margaret’s father who writes joke books – in Korean. “Books like 1001 Jokes for Public Speakers – real corny stuff,” Margaret says. “I guess we’re in the same line of work. But we don’t understand each other that way. I don’t know why the things he says are funny and the same for him.”



Margaret started performing stand-up at age 16 in a comedy club called The Rose & Thistle above a bookstore her parents ran. Soon after, she won a comedy contest where first prize was opening for Jerry Seinfeld. She moved to Los Angeles in the early ’90s and lived in a house with several other young performers.



I moved out because I wasn’t the most famous. If the Manson Family had come, I wouldn’t have been Sharon Tate; I would have been one of the supporting victims, and who wants that? Janeane Garofalo moved into my old room. Anyway, ‘Cho’ written in blood on the wall doesn’t look as cool as ‘Garofalo.’



Still in her early twenties, Cho hit the college circuit, where she immediately became the most booked act in the market and garnered a nomination for Campus Comedian of The Year. Arsenio Hall introduced her to late night audiences, Bob Hope put her on a prime time special and, seemingly overnight, Margaret Cho became a national celebrity.



In 1994, she starred in a short-lived ABC sitcom called All-American Girl. Says Margaret:



There were just so many people involved in that show, and so much importance put on the fact that it was an ethnic show. It’s hard to pin down what “ethnic” is without appearing to be racist. And then, for fear of being too “ethnic,” it got so watered down for television that by the end, it was completely lacking in the essence of what I am and what I do. I learned a lot, though. It was a good experience as far as finding myself, knowing who I was and what direction I wanted to take with my comedy.



In 1999, Margaret chronicled her experience on the sitcom in an off Broadway one-woman show called I’m The One That I Want. The show was extremely well received, toured the U.S, and was made into a concert film and a best-selling book of the same name. The film, which garnered incredible reviews, broke the record for the most money grossed per print in movie history. After the success of her first show, Margaret launched Notorious C.H.O. in 2001, a smash-hit 37-city national tour that culminated in a sold-out concert at Carnegie Hall. Notorious C.H.O. was also recorded and released as a feature film, hailed by the New York Times as “Brilliant!” Both films were acquired by Showtime Cable Networks in 2004 and are currently airing on their channels. Margaret embarked on her third sold-out national tour, Revolution, in 2003. The tour ultimately grossed 4.4M and was heralded as “Her strongest show yet!” by the Chicago Sun Times. The concert film premiered on the Sundance Channel in 2004 and was released on DVD later that year. The CD of Revolution was nominated for a Grammy for best comedy album of the year for 2003.



In 2004, Margaret took her politically charged State of Emergency tour through the swing states of the Presidential election. Lauded as “Murderously funny!” by the New York Times, State of Emergency eventually evolved into her fourth national show, Assassin. Her most political and topical work to date, Assassin toured the US, Canada and Australia and was filmed at the Warner Theatre in Washington D.C. The concert film premiered in select theatres and on the gay and lesbian premium channel Here! TV in late 2005 and is now available on DVD.



In 2007, Margaret hit the road with 80’s legends Cyndi Lauper, Debbie Harry & Erasure along with indie faves The Dresden Dolls and The Cliks to host the True Colors Tour, benefiting the Human Rights Campaign. A true entertainment pioneer, Margaret also created and starred in The Sensuous Woman, a live variety show featuring vaudevillian burlesque and comedy, which she took for an extended off-Broadway run in the fall.



Margaret premiered a new stand up tour, Beautiful, in Australia at The Sydney Theater in 2008. This was the first time Margaret debuted a tour abroad, and she was honored to be named Chief of the 30th annual Sydney Mardi Gras Parade while down under. After returning to the US, Margaret embarked on a nationwide tour of Beautiful, which was extended through the fall, capped off with a show at Radio City Music Hall, and filmed at the Long Beach Terrace Theater. Beautiful, Margaret’s fifth concert film, premiered on Showtime in 2009 and is now available on DVD.



In addition to her busy touring schedule, Margaret has proven herself an established writer and blogger; her second book, a collection of essays on all subjects political and pop, I Have Chosen to Stay and Fight was published by Riverhead Books, a division of Penguin Group (2005).



In 2008, thirteen years after her catastrophic foray into television, Margaret returned to TV on her own terms, in the Vh1 series, The Cho Show. Describing it as a ‘reality sitcom,’ Margaret said, “It’s the closest I’ve been able to come on television to what I do as a comic.” The Cho Show followed Margaret, her real parents, and her eccentric entourage through a series of irreverent and outrageous experiences, shaped by Margaret’s ‘anything goes’ brand of stand-up.



Margaret is currently starring in the new comedic drama series, Drop Dead Diva, Sundays on on Lifetime. Drop Dead Diva tells the story of a shallow model-in-training who dies in a sudden accident only to find her soul resurfacing in the body of a brilliant, plus-size and recently deceased attorney. Television newcomer and stage actress Brooke Elliott (Wicked, Taboo) stars as lawyer Jane Bingum, and Margaret plays her gal Friday, Terri.



This show, I absolutely love. It’s really funny, but it’s also touching. It has a lot of heart, and I think the acting is really incredible. I think people are going to fall in love with Brooke and the character Jane and realize that beauty comes in all sizes. When you look at women in movies and TV, it’s an unrealistic view of what women really look like. With the show, we are promoting a real woman who is beautiful with real curves, has a real attitude and is fabulous.



This fall, Margaret will be hitting the road with a brand new national stand-up tour, Cho Dependent. Margaret’s new tour will feature new stand-up and a few live performances of songs on her forthcoming comedy music album of the same name.



Margaret is gearing up to release her album of comedy songs entitled Cho Dependent on August 24, 2010. “I want to create a new genre of music that is hilarious but also seriously good, so I turned to some of my music heroes to help me out,” says Cho. “I have wanted to make an album like this forever. I love comedy music!”



The lyrics on Cho Dependent, which tackle issues of sex, drugs, rock & roll (and lice), may be laugh-inducing, but Cho has made no compromises when it comes to the quality of the songwriting and production. After “My Puss,” a hilarious rap parody Cho recorded impromptu-style with friends, became a surprise YouTube hit, Cho began to integrate more comedy music into her live stand-up shows. With Cho Dependent, Cho got a chance to hone her craft with some of the top names in the business.



“Over the years of being an intense music geek, I got to meet a lot of my heroes and I tricked them all into writing songs with me,” explains Cho. “Most comics want to be rock stars, and most rock stars want to be comics, so it was an easy exchange.”



“There are so many amazing people I got to work with on this album,” Cho continues, “Jon Brion, Fiona Apple, Tegan and Sara, Andrew Bird, Ani DiFranco, Garrison Starr, Meghan Toohey, Brendan Benson, Rachael Yamagata, Carl Newman, Grant Lee Phillips, Patty Griffin, Ben Lee, Kevin Barnes — I still have to pinch myself!”



Ultimately Cho hopes to raise the bar for the genre as a whole – and get a little recognition for her contribution to the cause. Her motivations for this latter goal however are naturally as subversive as her humor. “I want to be in the Rock and Roll Hall of Fame and on Elvis Costello’s Spectacle so I can talk all serious about my songwriting ‘process’ — which is basically trying to figure out what rhymes with ‘dick.’”



Margaret was the recipient of the Victory Fund’s 2008 Leadership Award and the first ever Best Comedy Performance Award at the 2007 Asian Excellence Awards. She also recently received the First Amendment Award from the ACLU of Southern California, and the Intrepid Award from the National Organization for Women (NOW). Throughout her career, she has been honored by GLAAD, American Women in Radio and Television, the Lambda Legal Defense and Education Fund, the National Gay and Lesbian Task Force (NGLTF), the Asian American Legal Defense and Education Fund (AALDEF), and PFLAG for making a significant difference in promoting equal rights for all, regardless of race, sexual orientation or gender identity.



I didn’t mean to be a role model. I just speak my truth. I guess speaking from your heart really creates a huge impact, and if I can encourage people to do that, then I would love to be a role model. If I could encourage people to use their voices loudly, then that’s my reward. I don’t care about winning an academy award; I don’t care about mainstream acceptance, because it’s never going to be what I want it to be. I just want to do my work and love it.



Photo by Pixie Vision Productions