Beautiful DVD – Concert Review on ZoiksOnline

November 17th, 2009

“Margaret Cho’s ‘Beautiful’ DVD.” – Concert Review



By Bob Zerull



Margaret Cho has done it all. At forty years of age she’s an actress, fashion designer, author, gay icon, and recording artist. She’s a political activist who has stood up for gay and lesbian rights, specifically the right to marriage. She’s won numerous humanitarian awards for efforts on behalf of women, Asians and the lesbian, gay, bisexual & transgender (LGBT) community. First and foremost, Margaret Cho is a comedian and she’s back with her fifth comedy special entitled “Beautiful,” which comes out November 17th.



“Beautiful” was taped just weeks before the 2008 election and there was plenty of election talk. Margaret claims in her special that she was fired from the Obama campaign for her jokes about McCain and Palin. She goes on to say that she’s sick of McCain, because everybody calls him a great soldier. “Well, he was captured, must not have been that good.” Cho is not a fan of Sarah Palin because she tolerates gays. What does that mean? Cho goes on to say she’s torn because she hates Sarah Palin but she really wants to have sex with her (but Cho puts it in a much more profane way).



Cho clearly has found her niche with the LGBT community much like Kathy Griffin or Joan Rivers. She spent a good portion of her show dedicated to Proposition 8 and the legalization of gay marriage. As with any great satirists she spends much of her show focusing on stereotypes and making fun of them. Like the G shot she got on her G spot to help her have better orgasms, because she’s Asian and if there’s extra credit she’s going to do it.



The comedian also discusses her new television show called “The Cho Show” in which she appears naked in every episode. She does this because in 1994 when her break out show “All American Girl” premiered she was wearing a tank top and her producers told her to never wear it again because she looked fat. Cho said she wants to be naked in every episode of “The Cho Show” because those producers can see her ass in every episode and kiss it. During her time on the “All American Girl” she starved herself several weeks, rapidly losing weight. By the time the pilot premiered she experienced serious kidney failure.



What’s good? If you fall within Cho’s niche you’ll love every second of this special. Additionally, if you’re a normal, open-minded human being you’ll find “Beautiful” very entertaining.



What’s bad? If you’re a close minded conservative who’s uncomfortable with X-rated humor involving numerous “controversial” topics such as homosexuality then you’ll probably be turned off. If I just described you I challenge you to watch her special. You might just learn something.



Interview with San Diego Gay and Lesbian News

October 30th, 2009

Margaret and her Multiples
Diverse performer brings music into the mix
by Mona de Crinis



The self-admittedly multi-orgasmic Margaret Cho can now justifiably boast about multiples of another kind—talents. The comedian, actress, director, author, activist and rabble-rouser is also a blossoming rock star. Her current tour, which stops in the Coachella Valley on October 30 at Agua Caliente Casino Resort Spa’s The Show, features a strapped-on Cho (a guitar, you gutterheads!) workshopping a new stand-up show that includes a blend of comedy and music.



Yes, Margaret sings. And not badly either. According to press material, she will be showcasing songs from a forthcoming album, tentatively titled Guitarded, a release she is writing with Patty Griffin, Jon Brion, Grant Lee Phillips and others.



But fans of her acerbic, socially germane comedy should not fret. The workshop still features her trademark raunchy wit and politically-charged commentaries, while offering an opportunity to see Cho in a more intimate setting as she diversifies and develops a new stand-up schtick and songs for her comedy album.



Diversity is nothing new to the San Francisco native. A vivacious product of her environment, Cho went to grammar school on the infamous Haight Street during the ’70s. Her life was a kaleidoscope of colorful characters—“Old hippies, ex-druggies, burnouts from the ’60s, drag queens, and Chinese people …. It was a really confusing, enlightening, wonderful time,” she reminisces in her biography.



It’s not surprising that such a fertile breeding ground, rich with imagination, would spawn such bountiful talent—a woman who’s been making people laugh and think since her first stand-up gig at the age of 16 in a comedy club called The Rose & Thistle.



From there Margaret went on to open for Jerry Seinfeld. She was the most requested act on the college circuit. Late night audiences got their first taste of the feisty Korean courtesy of Arsenio Hall, and an appearance on one of Bob Hope’s variety specials introduced her to prime-time viewers. In a matter of a few short years it seems, Margaret Cho had reached celebrity status. A few sitcoms, countless stand-up routines, a couple of books and an off-Broadway show later, she’s ready to take on the world of rock.



Most recently, Margaret’s been a fixture on the popular Lifetime series Drop Dead Diva, a cautionary tale about superficiality. Cho plays a gal Friday to lawyer Jane Bingum (played by Brooke Elliott), a shallow model-in-training who dies in a sudden accident only to come back in the body of a brilliant, plus-size and also recently deceased attorney. It’s a show Cho loves and credits with promoting the idea that beauty comes in all shapes and sizes—a principle that resurfaces with reassuring frequency in much of her work.



We had a chance to ask Ms. Cho a few choice questions via email in anticipation of her upcoming appearance in the Coachella Valley. Here’s how she responded.



You’ve been quoted as saying that Drop Dead Diva has a lot of heart. What other body parts would you attribute to it?
MARGARET CHO: I guess it has a lot of soul too, and a lot of cute butts. All the guys on the show have adorable behinds! That is what I noticed most about work in the beginning. Everyone has a super nice booty. But it is true that the show has a lot of heart, which is because of the excellent writing by our incredible show creator, Josh Berman, and the great writing team. And then it is beautifully acted by Brooke Elliott and the rest of the stellar cast.

This summer you lost your voice but still managed to do some shows. How did you accomplish this? And more importantly, how did you lose your voice to begin with?



This was suggested by my friend Jon Brion, who I am writing songs with for my upcoming album. For the first silent show, he read my material and sang my songs while I acted them out next to him. It was very scary at first, but he proved to be such a talented comedian that it all worked very well. So the first leg of my tour, I had different people reading my material as I acted it out. They would sing my songs as I accompanied them on banjo and guitar, and then in addition to that, I did some dancing. It was very special, and I am keeping some elements of the silent shows in the current incarnation of the show. It was a great test as an artist and performer.



I lost my voice just due to simple overuse. I was really working hard and also trying to play and sing over my new 12-string banjo, which is like the grand piano of banjos. It is very loud and so I had to be very loud to sing over it. This overwork combined with terrible allergies from moving to Georgia, which is where we film Drop Dead Diva. Also I was getting lots of colds and so I had generally very poor health for several months. I also had acid reflux problems. All these factors really messed up my voice. I had to make some major lifestyle changes. I can never drink, smoke, eat spicy foods, have caffeine or chocolate or carbonation ever again. And I cannot lay down completely flat. But my voice sounds great now. It went up several notes so I can sing much higher than I ever could before.

How did you come up with your “25 Random Things” and do they change?

I just wrote down all the ones that made good rhymes. I bet if I did another one the things would be totally different. The ones that I wrote in the song I did, the 25 random things are all true. I have done shots with Gorbachev, although I wouldn’t be able to do this today since I can no longer drink.



If you hadn’t discovered comedy, what other careers might have interested you?
I love animals, so I might have become a veterinarian, although a job like that might be too hard if you love animals as much as I do. I also love writing and playing and performing and wish I had started earlier as a musician, because this may have become something different for me if I had picked it up at a young age. I am also a very talented seamstress. Not fashion designer—just a seamstress. I really am good at stuff like alterations and sewing amazing clothing using vintage patterns and old fabrics. So either a vet, a rock star, or a tailor. But not a dry cleaner. Like a proper old-fashioned tailor.



If you could only have one subject to poke fun at who or what would it be?
I think it would be sex. It’s weird, the idea that we are trying to get so much satisfaction, self-esteem, pleasure, love, etc. by doing this particular thing with our bodies, and needing other bodies to fulfill certain requirements that go beyond the physical—but into the emotional and spiritual. And that everything truly leads back to sex. All existence requires it, we are all here because of it. There’s a lot to discuss. It’s also good to talk about in a humorous context because bodies are funny. Humanity is touching. It’s all super strange!



What’s the sexiest thing about you?
I am up for anything anytime. I am a fantastically good partner in all things sexual. I am tireless and enthusiastic and very flexible both physically and emotionally. I am a good time.

You obviously enjoy singing, if you could borrow anybody’s voice for one night, whose would it be?

I love Ani DiFranco’s voice because it is full of contradictions and character. It’s strong and sweet but also delicate and funny and serious. She’s a genius musician too, so I would love to borrow her hands as well. Also my friend Jon Brion has very enviable hands, as well as a tremendous voice I would love to use. I also love Patty Griffin’s voice and Andrew Bird’s voice. They are both songwriting pals of mine. I am lucky that way.



You’re having drinks at your home. Who’s invited?
Well, I can no longer drink but lots of people are invited anyway. All my musician friends. A bunch of comics. Some painters. Lots of tattoo artists. So a guest list would be Shawn Barber and Kim Saigh—I just bought a painting from Shawn, and he and Kim are opening a tattoo studio/gallery space together in Los Angeles. Perhaps Ed Hardy would come as well. Then I would love to have all the people working on my album—lots of folks, Jon Brion, Patty Griffin, Grant Lee Phillips, Andrew Bird, Kevin Drew, Ani Difranco, Jill Sobule, Tegan and Sara. Then my comic friends like Selene Luna, Ian Harvie and John Roberts.

What can fans expect from your upcoming show at Agua Caliente Casino Resort Spa?

It’s going to be great! Lots of fun stand-up, my new songs and then some sketches/songs from my band, “Fag and Hag” with John Roberts. It’s going to be a hoot and a half.



You’ve performed in Palm Springs several times, how would you sum up the area in three words?
Windy, windy, windy!



If You Go— MARGARET CHO, Tonight at 9 P.M. at The Show at Agua Caliente Casino Resort Spa in Rancho Mirage. Tickets: $55/$35/$25. To buy tickets or for more information visit hotwatercasino.com/TheShow or call 800.585.3737.



Interview with Crave Online

October 29th, 2009

Margaret Cho is a Drop Dead Diva
Comedian Margaret Cho talks TV and Sci-Fi.
by Fred Topel
Oct 29, 2009



Hang out in Hollywood and you’ll meet the most interesting people. Stand-up comedian Margaret Cho has a role in Lifetime’s Drop Dead Diva, the show about the dead model reincarnated as a lawyer. As the cast met their fans at the Paley Center for Media in Beverly Hills, we caught up with Cho about her latest work, her sci-fi interests and her stand-up material.



Q: Do you think Drop Dead Diva would appeal to sci-fi fans?



Margaret Cho: Well, it is a very fantastical show where you have the soul transference. Then you have a woman who’s gone through this very kind of after death experience. It’s not a near death experience. It’s an after death experience. So she’s actually already dead and she’s sort of reliving a life, so it is science fiction. Not so much science fiction but it is sort of fantasy.



Q: Are women underrepresented in sci-fi?



Margaret Cho: Absolutely. I mean, well, nowadays there is definitely a lot more female fans of sci-fi. I’m a big sci-fi fan myself but I notice nowadays, I think that women have been really brought into the horror genre with things like Twilight and all the vampire stuff. I think those kinds of shows really speak to women but I’ve always been a big sci-fi geek.



Q: What are your favorites?



Margaret Cho: Mine’s Star Wars. I’m obsessed with Star Wars. I even read the Star Wars novels. I know everything about Chewbacca. I know that Lowbacca is the newest Jedi.



Q: Are you even into the prequels?



Margaret Cho: [Laughs] Yes, it’s crazy. I love Star Wars. I don’t know anything about Star Trek actually and I don’t know very much else about other things but I know pretty much everything about Star Wars.



Q: Did you like District 9?



Margaret Cho: I did. I liked that a lot. I thought it was exciting because it just changed the location of where we usually think about aliens and what we usually think about science fiction. It really put it into a racial context, a social context which I thought was really interesting so I loved it.



Q: You’ve spoken about body image issues with All American Girl and the stand-up performance I’m the One That I Want. Do you think Drop Dead Diva is a good show for exploring those issues?



Margaret Cho: Absolutely. I think this is a wonderful show for anybody who has any kind of issues with their body which I think everybody does to some extent. Everybody has something that they don’t like and they want to change and I think this is just a wonderful show for women to watch with their daughters. I think it’s a wonderful family show. It’s really great, great thing.



Q: It doesn’t overplay it either.



Margaret Cho: No, no, it’s very respectful and it’s very sensitive to the way we need it to be. It’s entertainment for us and I really appreciate that.



Q: What’s coming up for next year?



Margaret Cho: Well, I’m definitely really pushing for Jane to make partner and we’re really hoping for that. I’m pushing her for that so that’s what my part is all about.



Q: Are you still doing standup while you’re on the show?



Margaret Cho: Yes, yes.



Q: What’s your material about these days?



Margaret Cho: Well, right now, I’m on tour. I’m traveling and I’m doing a lot of music. I’m doing comedy songs so it’s kind of like my hero, Weird Al Yankovic. He’s my absolute hero so I’m kind of following in his footsteps.



Q: He is awesome.



Margaret Cho: He’s awesome.



Q: Are you doing song parodies like him?



Margaret Cho: Not song parodies. I’m actually writing songs but I’m writing with some pretty amazing musicians and I just started recording with Andrew Bird in Nashville, so he and I are writing together.



Hyphen Magazine – Cover Story!

August 20th, 2009

Check out Margaret on the cover of Hyphen Magazine,’s action issue!



hyphen



Margaret Cho Stands Up
Written by Dino-Ray Ramos / Photography by Ryan Schude
Monday, 17 August 2009



From her beginnings as a 16-year-old comedian and the star of the short-lived sitcom All-American Girl, Margaret Cho’s career has soared with such gut- busting comedy shows as “I’m the One That I Want” and stand-up concert tours like “Beautiful” (her fifth).



Her new music/stand-up album Guitarded (yes, she sings, too) will hit stores in 2010, and the Lifetime network just picked up her pilot Drop Dead Diva, a show about women’s relationships with their bodies. Clearly, Cho, this issue’s cover model, gets around — in a good way, of course.



While she makes us laugh as an award-winning Korean American comedian, her activism in the Asian American and gay communities is nothing to scoff at.



“For me, the main focus is repealing Proposition 8,” says Cho, a San Francisco native, says about the California law that forbids gay marriage. “The response to Proposition 8 has been really tremendous. I am thrilled that this movement has grown over the years. I am amazed to get as far as we have.”



Even so, Cho is aware that the ban on gay marriage still finds support among many Asian Americans. “Homophobia is very present within the Asian community, [though] it’s more with the older generation,” Cho says. “It’s really something that has to be fought.”



We had the chance to talk with Cho about activism, the progress of Asian Americans in media and how it doesn’t hurt to be self-righteous every now and then.



Get The Action Issue of Hyphen to read the full interview with Margaret Cho. Find it at a newsstand near you or subscribe to Hyphen!



Cho clips from Craig Ferguson & Chelsea Lately

July 23rd, 2009

If you missed Margaret’s recent chats with Craig Ferguson and Chelsea Handler, check them out, below!







Variety Article on Drop Dead Diva Ratings

July 14th, 2009

‘Diva’ delivers: Lifetime dramady “Drop Dead Diva” looks sharp in it’s debut:
DIVA variety page 1



DDD opened to 2.8 million viewers:
DIVA variety page 2



LA Times Review of Drop Dead Diva

July 9th, 2009

‘Drop Dead Diva’
Lifetime’s new comedy offers an interesting twist on the old dippy-meets-dumpy scenario.



By MARY McNAMARA, Television Critic



The press material for Lifetime’s new comedy “Drop Dead Diva” contains a lot of accolades from “women’s groups” in which terms like “role model” and “grab your girlfriends” appear with alarming frequency — as if the publicity department were bracing critics for a show that should be viewed through a political or genre framework instead of simply as, you know, a television show anyone might enjoy. (The term “role model” especially tolls in a critic’s ear with as much anticipatory delight as Poe’s funeral iron bells.)



None of which was necessary, as “Drop Dead Diva” is a lot of fun to watch, with the added bonus of introducing TV audiences to Brooke Elliott, a stage actress with fabulous comic timing and enormous dramatic flexibility.



Oh, and she weighs a bit more than 100 pounds, which may explain all that “women’s group” nonsense.



Created by Josh Berman, who has written for “CSI” and “Bones,” “Drop Dead Diva” answers the age old question: What would happen if a dippy but beautiful woman woke up one morning with a brilliant mind but a dumpy body? OK, maybe it’s not an age-old question, but it certainly is an interesting twist on the rather worn pretty-and-witless-meets-schlubby-and-smart-narrative that fuels so much of chick lit.



All this and heaven too. “Drop Dead Diva” opens with two very different women about to meet their doom. Jane (Elliott) is a driven drudge of a lawyer who wears brooches and finds what little joy she experiences in work and carbs. Lots of carbs.



Deb, played by Brooke D’Orsay, meanwhile, is a tight-bodied empty-headed model-actress (guess which one is blond; go ahead, guess) on her way to audition for a job Vanna White made famous.



Both are tragically killed, and we meet up with Deb as she enters the Great Sorting Room in the Sky, where Fred (Ben Feldman), her celestial concierge, informs her that though she has never done an evil deed, she has neither done a good one, making her his first “zero, zero.” Stung, she manages to get sent back to Earth, but via the tragically imperfect body of Jane.



With a setup like this, it would be very easy to fall into a veritable showcase of sexism — How dumb was Deb? How fat is Jane? — but Berman produces a deft juggling trick of heart and humor, balancing Deb’s shallowness with some solid common sense and Jane’s inadequate self-esteem with kindness and legal brilliance.



Almost impossibly, Elliott manages to embody both personalities in a way that, far from some tedious “Inside the Actor’s Studio” lesson in character assimilation, is just delightful to watch. She is aided in this wacky scenario by a serviceable if predictable diagnosis of semi-amnesia and, more important, by Margaret Cho as Jane’s trusty assistant, Teri, and April Bowlby as Deb’s equally shallow but still loyal best friend, Stacy. Both hit all the necessary double-takes and are-you-crazy moments with just the right dramatic frothiness and keep things tethered, if loosely, to the recognizable world.



There’s a bunch of cute guys, of course: Fred has been demoted to guardian angel and gets a job at Jane’s firm so he can keep tabs on his runaway soul. Deb had a boyfriend, Grayson (Jackson Hurst), who has also, as luck and narrative need would have it, just joined the staff (the economic slowdown has not, apparently, hit this portion of Los Angeles).



Despite Deb’s self-centered zero, zero status, Grayson appears to be a peach of a guy, devastated by his girlfriend’s death, but Deb is convinced he wouldn’t look at her twice now that she’s Jane. There’s a scheming colleague, Kim (Kate Levering), a possibly sleazy boss (Josh Stamberg) and a host of upcoming guest stars (Rosie O’Donnell, Paula Abdul). But mostly there’s just Jane, a one-woman, two-woman show, trying to figure out how to accessorize her new life, which comes complete with sugar cravings and a job that requires she think about someone besides herself for two minutes.



If you were of a mind, you could concentrate on all the rather obvious plot devices and general silliness — a female client transformed by a single make-over — and pick “Drop Dead Diva” to death. But why?



Certainly, the show falls more in the fun category than the brilliant, and it’s not going to change television as we know it, but with any luck, it will remind us not to take everything, including television shows, so darn seriously. There is joy to be had in a doughnut, beauty can radiate from a face not made entirely of cheekbones and Botox, but that’s not the point. Deb’s zero, zero has nothing to do with looks but with deeds, and in its own light-hearted and sentimental way, that is what “Drop Dead Diva” makes clear. Not so much that beauty (yawn) comes from within, but that you actually have to do something to put it there.



On second thought, it may indeed change television as we know it.



Photo by Ron Jaffe