Posts Tagged ‘General’

Paris

Sunday, November 27th, 2011

I spent some lucky days in Paris on my own. A big treat, as I usually travel with others – and fantastic, hilarious, inspiring, debauched others, which is joyous and wonderful but it’s a rare beautiful moment that I am by myself. The hotel I originally booked wouldn’t let me check in, and after almost running over a fresh and fully formed dog shit pile at the entrance, I had to leave my bags there to find another one. It was alright in the end. The new hotel wasn’t fancy but it was good enough, right in Le Marais, my favorite neighborhood, all sprawled across the 3 and 4th arrondissement, whatever that means.



I got all French and put my dirty hair in a topknot and put no makeup on miss face and walked from shop to shop to get each thing I wanted to eat. Wine, a chicken, jamon, fig cakes, macarons, dark chocolate bars, a big baguette – which I also found drastically reduces the famously European sexual advances – somehow the bread is a defense and a chastener and makes you look like you belong and are not available for nonsense. Like a nun’s habit and a guitar. I am up for nunsense but not nonsense Monsieur.



I walked into a cheese shop, more like a stall, and the smell punched me in the face. I stood speechless in front of the cheesemonger, looking for the right French words. Nothing came – except “uh yeah, hook me up”. He understood somehow and cut me a fat wedge of comte, and that cheese and I went back to my room. It was golden and creamy and sweated like a man in his early forties during the night. That cheese snored. That cheese had sleep apnea. It had a moldy rind and a bitter back end and I ate off that living thing for three days without accompaniment or refrigeration. I went to bed and the cheese was there. I woke up and that cheese was there. The ripe, rotting decay of the dairy set a green finger under my nose in the morning and I didn’t even need a café au lait to get me going. I realized that the comte was not a male but a female about 28 hours into our relationship. That cheese got its period. Me and Mrs. Comte – we got a thing going on. I ate that cheese and I left that cheese when I couldn’t bring it with me to England. It was just too stinky to take. Too moldy and raging and alive and delicious and devoured even though there was a lot left. I couldn’t be smuggling that comte over the border. It was a drug and should have been illegal. The bread was good too. I actually lay down in between the sheets to consume a crusty and hard baguette, the outside brittle and scabby and littering the bed with flakes and crumbs, and the inside soft and white and doughy, filling by mouth with the utter neutrality of flour, that strange nothingness we seek from carbs, that empty fullness. The bread mess got all over the floor and the maid actually gasped “Alors!” when she opened the door to my room. I felt like a junkie. Yes I am a food addict and because of this I avoid most things, but when is eating addiction and when is it pleasure? I think that in France, it’s just pleasure. What happens in France, stays in France, like comte and crumbs.



The Hook

Friday, November 25th, 2011
I am a shopper by nature, but not by profession, and I try to curb this tendency, because it does get expensive over time. Although I have fine, fine taste in everything, there are things I have acquired that I didn’t want, almost as soon as I had purchased them, and I’ve had to unload them quickly, not selling them, as I have little patience for that, but just giving them or throwing them away. There are items that were exciting and exhilarating to have in the bright light of day, that at night grew ominous and unspeakable and unwanted. I feel brave, I feel ‘indie’, I feel ‘punk rock’, but I am afraid of the dark. I really cannot even stand one minute of a ghost story told by someone with a flashlight illuminating their chin. Don’t come up behind me. Don’t try to make me go into the wax museum, especially not the chamber of horrors. I am not going on that haunted hayride. I am not brave enough for any of that. I spend a lot of my time waiting outside, covering my eyes and ears, a scaredy cat. Yellow line on my back. Scared scared scared.
I will tell you about one object I bought on ebay that subsequently made me cancel my account because it was so fucking scary I thought it had somehow cursed my username. It was a dredging hook supposedly from the turn of the century that had been used to pull decomposing human bodies from the depths of their mysterious watery graves, and maybe it was real, and maybe it wasn’t, but the thing was old, and had a strange power to it, like it was alive. Like it had something sinister vibrating within whatever makes up metal, whatever makes metal cold and hard and eternal. It was rusted and ancient and cost nearly nothing and the seller claimed it was haunted and just wanted it out of his life and practically paid you to take it off his hands. I chose the “buy it now” option because I didn’t/couldn’t/wanted to believe it, and it wouldn’t have mattered anyhow as no one else bid on it.
The package came almost instantly, as if it had been teleported, and it felt heavier than expected, and the hook part of it, the part that would ostensibly go into the dead body was dangerously sharp despite the obvious patina of age. It smelled of mildew and chaos and there was a strange motivation for my husband and I to fight irrationally when we were in the presence of the hook.  The hook lived above our fireplace for a time, and when I was in the same room as the hook I was nervous. It was a guest that was invited, in fact one I had paid to come live with us, but the hook wasn’t friendly. The hook wasn’t trusted with the keys. I watched the hook and the hook watched me and I wouldn’t have been surprised if the hook dragged itself off the mantel and then across the floor and then into my bedroom and then into bed with me. I imagined the cold kiss of the hook on my leg when I lay in bed at night and didn’t sleep for most of the hook’s residency. When I would walk into the room where the hook was staying, the air tasted metallic, an iron/copper component, like death, like blood, like evil and also what I think a tilted steel embalming table at a funeral home would taste like. It was chillingly cold to the touch (although I tried to avoid touching it) always, as if we kept the hook in the refrigerator, but we didn’t. The house and everything in it is usually warm. There was no reason for that hook to be cold, other than the fact that there was something else going on, something we didn’t understand, and something we didn’t want to know about.
Soon after we had been living with the strange hook awhile, a friend was starting a business, dealing with macabre and offbeat antiques and ephemera and as soon as I heard of this, the hook was hastily shoved into a thick Whole Foods paper bag with handles and sent as a fortuitous offering, a symbol of good fortune, a wish for good luck in business, and I was glad. The hook was out of my house, out of my life. The new owner loved the hook and welcomed the hook and all was good. Everyone was happy, including the hook, I suppose. But then almost instantly the new store went out of business. That hook wanted revenge I guess.  I haven’t thought about the hook again until just now, this cold morning, when I came into my living room, which the hook once called its own room and I thought, just for a second, I could taste it.



I am a shopper by nature, but not by profession, and I try to curb this tendency, because it does get expensive over time. Although I have fine, fine taste in everything, there are things I have acquired that I didn’t want, almost as soon as I had purchased them, and I’ve had to unload them quickly, not selling them, as I have little patience for that, but just giving them or throwing them away. There are items that were exciting and exhilarating to have in the bright light of day, that at night grew ominous and unspeakable and unwanted. I feel brave, I feel ‘indie’, I feel ‘punk rock’, but I am afraid of the dark. I really cannot even stand one minute of a ghost story told by someone with a flashlight illuminating their chin. Don’t come up behind me. Don’t try to make me go into the wax museum, especially not the chamber of horrors. I am not going on that haunted hayride. I am not brave enough for any of that. I spend a lot of my time waiting outside, covering my eyes and ears, a scaredy cat. Yellow line on my back. Scared scared scared.



I will tell you about one object I bought on ebay that subsequently made me cancel my account because it was so fucking scary I thought it had somehow cursed my username. It was a dredging hook supposedly from the turn of the century that had been used to pull decomposing human bodies from the depths of their mysterious watery graves, and maybe it was real, and maybe it wasn’t, but the thing was old, and had a strange power to it, like it was alive. Like it had something sinister vibrating within whatever makes up metal, whatever makes metal cold and hard and eternal. It was rusted and ancient and cost nearly nothing and the seller claimed it was haunted and just wanted it out of his life and practically paid you to take it off his hands. I chose the “buy it now” option because I didn’t/couldn’t/wanted to believe it, and it wouldn’t have mattered anyhow as no one else bid on it.



The package came almost instantly, as if it had been teleported, and it felt heavier than expected, and the hook part of it, the part that would ostensibly go into the dead body was dangerously sharp despite the obvious patina of age. It smelled of mildew and chaos and there was a strange motivation for my husband and I to fight irrationally when we were in the presence of the hook.  The hook lived above our fireplace for a time, and when I was in the same room as the hook I was nervous. It was a guest that was invited, in fact one I had paid to come live with us, but the hook wasn’t friendly. The hook wasn’t trusted with the keys. I watched the hook and the hook watched me and I wouldn’t have been surprised if the hook dragged itself off the mantel and then across the floor and then into my bedroom and then into bed with me. I imagined the cold kiss of the hook on my leg when I lay in bed at night and didn’t sleep for most of the hook’s residency. When I would walk into the room where the hook was staying, the air tasted metallic, an iron/copper component, like death, like blood, like evil and also what I think a tilted steel embalming table at a funeral home would taste like. It was chillingly cold to the touch (although I tried to avoid touching it) always, as if we kept the hook in the refrigerator, but we didn’t. The house and everything in it is usually warm. There was no reason for that hook to be cold, other than the fact that there was something else going on, something we didn’t understand, and something we didn’t want to know about.



Soon after we had been living with the strange hook awhile, a friend was starting a business, dealing with macabre and offbeat antiques and ephemera and as soon as I heard of this, the hook was hastily shoved into a thick Whole Foods paper bag with handles and sent as a fortuitous offering, a symbol of good fortune, a wish for good luck in business, and I was glad. The hook was out of my house, out of my life. The new owner loved the hook and welcomed the hook and all was good. Everyone was happy, including the hook, I suppose. But then almost instantly the new store went out of business. That hook wanted revenge I guess.  I haven’t thought about the hook again until just now, this cold morning, when I came into my living room, which the hook once called its own room and I thought, just for a second, I could taste it.






Another Brick in The Wall

Thursday, May 27th, 2010

I am disgusted by Roger Waters act of defacing what really should be a national monument – Elliott Smith’s memorial wall on Sunset Blvd. His advertisers, trying to get hipsters to see him tour “The Wall” yet fucking AGAIN have put graffiti all over the beloved Silverlake monument. I am not a Pink Floyd hater. I loved “The Wall” – and when the movie came out, it totally changed my life. I decided that my life would be like the groupie Jenny Wright played – all spandex and denim vest and laminates without a bra. That was me – that is me. I don’t have anything against Roger Waters personally, but this is so shitty!



If you live in LA, are a Largo regular, love indie rock and live east of Robertson, then to you, Elliott Smith is like family. It’s like someone defaced our family crypt. I am so disappointed. I am so sick about it. And all of us, the broken-hearted Elliott Smith fans who still miss him so badly, who won’t see him at Sasquach or Bonnaroo or Largo with Jon Brion ever again, who won’t get to hear a new song or a new album from him ever ever ever again because he is gone gone gone from this world forever and the only thing keeping him alive is our love for him – our grateful, undying, everchanging, ever-evolving – ever strong devotion and love for him – for us – that wall – that wall was all we had. We have the records, we have the songs all on heavy rotation, I have a rare burned-by-Elliott-Smith-himself CD of all the songs off “From a Basement on the Hill,” beautifully raw and yet unmixed and unmastered – it’s my prized possession. And once, we had a monument, where we could go and say hello and goodbye and I love you and I’m sorry.



And now we don’t. Because of corporate greed and total ignorance – this idea that there are ‘hipster’ locations that you can co-opt for yourself. Well you can’t. Fuck Roger Waters. You have become another brick in the wall.



The World I Would Like To Live In

Tuesday, May 25th, 2010

I attended a special event at the White House to celebrate Asian American history month, which I never know when it is. I am guessing it is May because this is May. But to me every month is Asian history month mostly because I am in a constant state of learning about it and myself and how we came to be in this country and how we stay here and constantly reinvent and redefine who we are.



It was a really cool shindig, with lots of people I absolutely adore in the (white) house such as angryasianman (who is super hot and sexy in person btw – sorry to objectify you but you’re adorable), DJ Rekha, Kelly Hu and my old friend Kal Penn who actually works there! I saw him outside with a clipboard, which to me means working because nobody has a clipboard unless they are hard at work.



We were treated to lots of the good white house crème brulee and hot bhangra beats from DJ Rekha and then waited for the President to come and give a speech. I haven’t been to the White House since the Clinton administration, so it was a wonderful feeling to come back after all these years and feel so welcome. Even though the building is the same, the place has changed so much. All the White House staffers are so young! It’s really fantastic to see the younger generation so passionate about politics and devoting all their energy to the Obama administration. It’s rock and roll and very exciting!



Speaking of rock and roll, of course when Obama was giving his speech, I secured a spot right in the front row. I have been to enough rock shows and been a groupie long enough to know that when you want to get backstage, you have to stand in front of the lead singer, not directly facing him but slightly to his left, where the rockstar eye naturally rests. Anyways, during his speech, the president actually winked at me! He came down off the podium and walked over to me and held my hand for several minutes and told me he was a fan of mine and that I am very funny and he enjoyed my comedy immensely. He asked what I was doing and if I was touring and I said I was working for Lifetime and about to go on tour and overall, trying to represent. And he said, “well you are doing a fine job representing us all… a wonderful job! Very very funny!” and then he got pulled away by his multitude of security and staff and fans. It was an incredible moment for me and something I will treasure for the rest of my life. Because to me Obama is much more than the leader of the free world. Yes he is president and he is the most important dude on earth, but his meaning goes far beyond political office. What Obama represents to me is the idea that we have come so far as a nation in terms of race and acceptance and inclusion that we can have a president who is not white. I think that this resounds so deeply with me and all those who have felt at one time or another like ‘the other.’ Obama’s meaning in society today is practically mythological. His presence means we have arrived somewhere different. Somewhere better. This is the world I would like to live in.



Politics are changing, and it’s tremendously exciting. If you live in San Francisco, I urge you to check out Theresa Sparks who is running for office there. She is another person, like Barack Obama, whose meaning and work and presence is almost mythological. Almost legend. Her story is much like that of Harvey Milk, and she is so similar that Stuart Milk has spoken on her behalf many times and also is a major player in her campaign for office in San Francisco. I have had the pleasure of knowing Theresa for many years. I first met her when she invited me to join the board of Good Vibrations, where I served for two years. I got to know her very well through our many board meetings and lots and lots of dinner parties talking late into the night. I was impressed by her on so many levels. Theresa Sparks is a transwoman who has fought homophobia and prejudice and hatred coming from so many different sides, eventually prevailing over so much ignorance to finally becoming President of the police commission. It’s incredible that a transgendered person is capable of surviving in the police force at all but to have the strength and passion and intellect and moxie to actually become the President of the police commission – it’s a downright miracle. I believe in Theresa Sparks and her continuing capacity for miracles. She has worked tirelessly for the LGBT community in San Francisco, focusing primarily on the transgendered community, which is the part of our family that always seems to get left out, and she is a true political icon and heroic figure for me and countless others.



Still, her campaign has been fraught with much ignorance. When seeking endorsement from the ‘liberal’ women’s political groups, Theresa has been told that they only support ‘real women.’ I think this is disgusting. Not only is Theresa Sparks a real woman, she is an inspiration to all women. She is a fighter, a survivor, a whipsmart businesswoman, a mother, the kind of leader my beloved hometown needs. She is someone who will change San Francisco, and in doing so, change the world, something that has to happen and happen right now. I no longer live in the beautiful city by the bay, but I still love it, I still care about what happens there and so I urge you to see what Theresa Sparks is doing. Like Obama, she’s a symbol that the world is changing. And we are all better for it.



NY Times Review of Drop Dead Diva

Thursday, July 9th, 2009

Chubby Legal Beagle, Meet Your Inner Skinny Siren



By ALESSANDRA STANLEY
Published: July 9, 2009



Someone heard the old line about a thin woman trapped in a fat woman’s body and took it literally. In “Drop Dead Diva,” a Lifetime series that begins on Sunday, an aspiring model and airhead named Deb (Brooke D’Orsay) dies in a car crash and is transported — through a bungled act of divine intervention — to the body of a recently deceased lawyer, Jane (Brooke Elliott), who is smart, fat and frumpy.



The trading-places formula is put to use here in a weight-conscious comedy, a “Freaky Friday” mind-body exchange that measures the eternal contest between brains and beauty by the pound.



Deb, trapped in a Lane Bryant physique, doesn’t lose her own shallow, bubbly personality. When Deb awakens in a hospital bed and discovers that her once-taut stomach is now a pillowy protrusion of flab, she shrieks at her guardian angel, “You sent me to hell?” But she also assumes Jane’s high-powered brain and legal expertise. Deb discovers that while she now craves doughnuts and cheese dip, her mind also savors a complicated and compelling legal case. Basically she thinks like Elle in “Legally Blonde,” only she looks like Camryn Manheim on “The Practice.”



And while the presumption that a woman can be either brainy or beautiful, or in this case, good or thin, but not both, is a bit primitive, the series has humor and charm beneath its facile message, in large part (no disrespect intended) to a subtle, winning performance by Ms. Elliott.



It’s gotten harder than ever to find an imperfect heroine in a series who is actually flawed. More than ever these days, television suffers from casting dysmorphia; it repeatedly takes a slovenly, gluttonous, character and casts an exquisitely groomed, Pilates-toned actress in the part.



One of the running jokes of both “30 Rock” and “The New Adventures of Old Christine” is that the characters played by Tina Fey and Julia Louis-Dreyfus are disarmingly sloppy, out of shape and addicted to junk food — and wine, in the case of Ms. Louis-Dreyfus. It’s a strain when both actresses are so petite, pretty and fit.



Debra Messing may have started the trompe l’oeil trend in “Will & Grace,” since she too was a whippet-thin actress playing a slovenly overeater. But the hypocrisy grows ever more insulting — a cognitive diss. Even TNT, which takes pride in badly behaved heroines — a slatternly sot on “Saving Grace,” a sweetsaholic on “The Closer” — assigns those roles to improbably slender, well-preserved actresses like Holly Hunter and Kyra Sedgwick.



And when a comedy does feature a female lead who is not conventionally pretty, that becomes the raison d’être of the series, as in “Ugly Betty.”



Network executives have concluded, perhaps not unreasonably, that audiences don’t really want television characters that are too true to life. “Roseanne” was a huge hit and lasted nine years, but it didn’t spark a stampede for plus-size actresses. Neither did “Less Than Perfect,” which starred a larger-than-usual actress, Sara Rue, and a venti-size sidekick, Sherri Shepherd. Ms. Manheim won Emmys on “The Practice” and “The Ghost Whisperer,” without inspiring many imitators.



Reality shows, on the other hand, feast on fat people. “The Biggest Loser” proved there was an appetite for weight-loss competitions, and now imitations abound. Oxygen has the latest: “Dance Your Ass Off,” in which chubby contestants shed weight by dancing. (Their scores are based on both their footwork and how many pounds they’ve lost.) This month Fox will present a “Bachelor”-like dating reality show for ordinary, heavyset people called “More to Love”; there is no weight loss requirement to winning a rose.



About two-thirds of Americans are overweight, many of them dangerously so. But television reflects a funhouse mirror image of society; sitcoms and dramas hold out impossibly narrow standards of beauty, while reality shows seek out and exploit the more grotesque displays of obesity.



“Drop Dead Diva” owes a lot to “Legally Blonde.” Deb, like Elle, even has a signature strut, which she calls the “booty bounce” (“shoulders back, show the rack”) and demonstrates to buck up discouraged female friends. But Ms. Elliott has a harder task than Reese Witherspoon: She has to merge two antithetical personalities without blurring the distinctions. Jane was a smarter, better person than Deb, but she was also insecure and depressed. Deb, once she settles into her legal briefs and sensible shoes, brings a dash of flirty confidence and “Born Yesterday” ingenuity to her caseload.



In the most implausible of comic mixups Ms. Elliott is convincing, and even affecting, at every turn.



Lifetime is bold to cast an actress who is hefty, without the aid of a fat suit like Gwyneth Paltrow in “Shallow Hal,” and plays a woman who is not likely to slim down magically just in time to find Mr. Right. That may be one reason so many better-known television stars signed on for small parts or walk-on appearances, from Margaret Cho, who plays Jane’s assistant, to guest stars like Rosie O’Donnell, Tim Gunn and Elliot Gould.



“Drop Dead Diva” isn’t a public-service message, it’s a lighthearted romantic comedy on Lifetime. Yet for all the farce it is grounded in reality.



Cho News: Fall Tour, Beautiful on Showtime & Drop Dead Diva on Lifetime

Tuesday, June 23rd, 2009

Check out the latest Cho News or sign up for the mailing list here.



Luna and Ginsburg: The Help

Monday, June 22nd, 2009

Here’s the latest from Selene and Nadya. So funny. and my fave is Selene’s chest hair! and the whistle!! haha!!!