Posts Tagged ‘Race’

Pinterest 2

Wednesday, March 14th, 2012

I am proud of my Pinterest boards and I pore over them. I think it’s feeding a similar impulse to the vast collections of stickers I would see girls in my grade school amass, huge books filled with adhesive dreams and wishes, aspirations and goals, fantasies and fancies, ready to apply. It can feel obsessive too, as I am merely the custodian of these images, not the creator of them, not the subject of them, but essentially, the janitor of them, and sweeping them all into the corner of the internet, I see them together for the first time.



I have trolled websites to find pictures that affected my worldview, which burned indelible into my mind and churned in me as I grew. As I see them all now dumped into this psychic dustbin, I find that it’s almost entirely white folks. I hadn’t had awareness of this before – that I had relied on one race so heavily to understand life. Coming to know what my tastes and preferences were, excavating my mind’s own archeology, I hadn’t seen how racially biased the source because I hadn’t thought to look. I had nothing to compare myself to. I had no idea of race and perceived all from a bubble of isolation. My parents worked mostly, and much of my youth was spent alone waiting for them. I watched television and ignored the sounds in the cellar and attic and thought about Elizabeth Taylor and David Bowie endlessly.



If you never see yourself in the media, and you are conditioned to invisibility to the point where you never even try to seek yourself, what does that do to the spirit? I am only just finding out now. I’m putting up pictures of Nancy Kwan and Tina Turner on my boards but women of color are rare butterflies. I can’t pin them down as readily and I don’t like this but this is how the world is made. How do I overcome racial disparity when it exists in my mind? Do I not even exist inside myself?



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Taste the Linsanity

Wednesday, February 29th, 2012

If there had been an open container of ‘Taste the Lin-sanity’, the racially lin-sensitive ice cream flavor from Ben and Jerry’s, right in front of me, I would have been offended, but I still would have wanted to try it. I do like a vanilla-lychee blend, it’s kind of Eurasian or Africa by way of Asia. It’s pretty exotic. There were also fortune cookie pieces in the mix, which actually seems kind of gross, as they are too lemony and stale in general, unless they are extremely fresh, which is rare because they are labor intensive with the message and everything. They tend to get made and sit around and for this they are made to sit around.



Is a fortune cookie still one when it lacks the fortune?



Were there little cryptic messages in the creamy concoction?



“Your sudden appearance will make everyone momentarily racist but not in an entirely unpleasant way, as sometimes they will have desserts.”



What a strange way to exhibit stereotyping – through ice cream. That is totally new. I agree that the flavor should be discontinued for the diminishing quality it frames asian American artifact and history and culture in, as it trivializes us and shows us to be merely capable of takeout food and not a political point of view, but also I think that fortune cookies are not delicious. They have potential, but it is rarely realized.



Once when I was a child I was taken by nuns to a fortune cookie factory. I must have been five, and in the care of women who wore all black with the exception of one who wore all white, and they were busy but not mean in the way I have heard many speak of nuns. I thought they looked pretty and I wondered about their hair. The fortune cookies popped off the assembly line, golden brown and perfect, filling the air with a sugary batter scent. I broke them and cast away the fortunes, being unable yet to read, and gobbled down the shards in glee. I ate a number of them, trying to capture the magic of the first bite. Even as a preschooler, I was chasing the dragon.



In the years later I would never find that taste again, and my parents rarely partook of them, as the fortune cookies sat inert and plastic wrapped on a mound of cash after dinner at Chinese restaurants. My parents didn’t care what they said inside. They were too tired from work and wanted to go to bed. They barely spoke when they ate and stood up nearly before the checks were laid down on the table. They’d pay at the counter and my father would walk out first fast down the street on his long legs. I think that the tips left were proportionally too small and they wanted to get out before the discrepancy was noticed.



That is what fortune cookies mean to me. Exhausted people living beyond their means without the support systems of extended family, trying to keep up and sometimes failing, like batteries losing their charge with no outlets to plug into.



Maybe Ben and Jerry’s thought this flavor was cute and somewhat of a tribute, as fortune cookies mean something different to them. There’s super great Chinese takeout food in Vermont – one detail I retained on a visit I paid there once to the campaign offices of Howard Dean, then just beginning his presidential run. Chinese food is a good prelude to ice cream, the salt balancing the sweet fat.



I start to think of people not meaning to be racist but lacking the language to speak about Asian Americans, us having endured invisibility for so long, they simply don’t know what to say. They don’t know how to talk about us beyond restaurant menus where you order by the number not the name of the dish as that’s too hard to pronounce, because they haven’t had to. It’s infuriating but at the same time expected. It’s hard to take but I will take it over non-existence.



And give me Phish Food every time.






Asian Adjacent and The Business of Cho by Grant-Lee Phillips

Tuesday, November 1st, 2011

Few people have the supernatural powers of persuasion of Margaret Cho. After collaborating on music for Cho Dependent, she got me to strum the very exotic and scatological “Shit-Tar” in her music video Eat Shit & Die while three dancing turds did high kicks about the stage. This summer I found myself in a small cage dressed in leather, on a sushi table wearing an octopus and finally with Margaret, reenacting scenes from Miss Saigon on a dolly. That’s just one day in the life with Margaret.



As a professional, I had certain concerns before I went in. I asked if my hair would be ironed. Margaret assured me that it would and we were good to go! I never had it done before but this was going to be a big video production with dancers and smoke and catering. They’d definitely have a flat iron on set. This obsession began months earlier when Margaret casually mentioned wanting to make a video for Asian Adjacent and that I could be the Ryuichi Sakamoto character, like in Madonna’s Rain video. That guy’s got amazing hair. Damn him! This was going to require some incredible acting on my part to summon that kind of whale bone straightness. A wig was never an option for a Method guy like me.



The other thing you realize when you make a music video is how you really feel about a song. You’re going to lip-sync to it a few thousand times before you’re allowed to take off whatever harness you’re hanging from and they give you food. It helps to love the song. I LOVE Asian Adjacent. The fact that it was inspired by Margaret’s mistaken assumption that I was of some Asian ethnicity ( I’m actually Creek ) makes it all the more genius and flattering. It’s a seductive recording that could hold it’s own on any dance floor. Margaret delivered an incredible vocal to begin with. It’s was a dream to write with her and a delight to produce the track. Carmen Rizzo also brought it up to a whole other level, with his beats and exotic textures. Enter Tani Ikeda who directed the video. Tani found in Asian Adjacent equal portions of beauty, absurdity and bite. She even cut out my fat parts! If you’re going to spend a day in cage you couldn’t find funnier, harder working people to share it with.



Adjacently yours,
Grant-Lee Phillips





Margaret Cho – Asian Adjacent – featuring Grant Lee Phillips from Margaret Cho on Vimeo.



————————————————————————————————————————————————————————-
“Asian Adjacent” is from Margaret’s Grammy-nominated comedy music album, “Cho Dependent.”
Get the song on iTunes here.
Get it on CD or Vinyl with automatic download of the whole album, from Margaret!



Asian Adjacent music video!

Monday, October 31st, 2011

This gem of a video was directed by Tani Ikeda and stars me and Grant Lee Phillips and some amazing dancers! We shot this in downtown LA in July on a single soundstage – really like an old school MTV music video and it was very exciting to be styled in all these incredible looks and costumes. I really love when Grant is in the cage – very goth and ominous! During the sushi scene I ended up eating a piece of tuna that had been on my leg for several hours, and it had warmed up to my body temperature. There was no soy sauce on it or anything, and it seemed to have my body odor as well as some lotion and glitter on it, and I ended up eating it and then I couldn’t think about anything else for the entire day except that I ate it. I didn’t actually get sick from it, but it was a pretty intense fish experience. I haven’t had sushi since. But I love this video and this song. Much thanks to the incredibly talented Tani and Grant and everyone in this video!





Margaret Cho – Asian Adjacent – featuring Grant Lee Phillips from Margaret Cho on Vimeo.



————————————————————————————————————————————————————————-
“Asian Adjacent” is from Margaret’s Grammy-nominated comedy music album, “Cho Dependent.”
Get the song on iTunes here.
Get it on CD or Vinyl with automatic download of the whole album, from Margaret!



The World I Would Like To Live In

Tuesday, May 25th, 2010

I attended a special event at the White House to celebrate Asian American history month, which I never know when it is. I am guessing it is May because this is May. But to me every month is Asian history month mostly because I am in a constant state of learning about it and myself and how we came to be in this country and how we stay here and constantly reinvent and redefine who we are.



It was a really cool shindig, with lots of people I absolutely adore in the (white) house such as angryasianman (who is super hot and sexy in person btw – sorry to objectify you but you’re adorable), DJ Rekha, Kelly Hu and my old friend Kal Penn who actually works there! I saw him outside with a clipboard, which to me means working because nobody has a clipboard unless they are hard at work.



We were treated to lots of the good white house crème brulee and hot bhangra beats from DJ Rekha and then waited for the President to come and give a speech. I haven’t been to the White House since the Clinton administration, so it was a wonderful feeling to come back after all these years and feel so welcome. Even though the building is the same, the place has changed so much. All the White House staffers are so young! It’s really fantastic to see the younger generation so passionate about politics and devoting all their energy to the Obama administration. It’s rock and roll and very exciting!



Speaking of rock and roll, of course when Obama was giving his speech, I secured a spot right in the front row. I have been to enough rock shows and been a groupie long enough to know that when you want to get backstage, you have to stand in front of the lead singer, not directly facing him but slightly to his left, where the rockstar eye naturally rests. Anyways, during his speech, the president actually winked at me! He came down off the podium and walked over to me and held my hand for several minutes and told me he was a fan of mine and that I am very funny and he enjoyed my comedy immensely. He asked what I was doing and if I was touring and I said I was working for Lifetime and about to go on tour and overall, trying to represent. And he said, “well you are doing a fine job representing us all… a wonderful job! Very very funny!” and then he got pulled away by his multitude of security and staff and fans. It was an incredible moment for me and something I will treasure for the rest of my life. Because to me Obama is much more than the leader of the free world. Yes he is president and he is the most important dude on earth, but his meaning goes far beyond political office. What Obama represents to me is the idea that we have come so far as a nation in terms of race and acceptance and inclusion that we can have a president who is not white. I think that this resounds so deeply with me and all those who have felt at one time or another like ‘the other.’ Obama’s meaning in society today is practically mythological. His presence means we have arrived somewhere different. Somewhere better. This is the world I would like to live in.



Politics are changing, and it’s tremendously exciting. If you live in San Francisco, I urge you to check out Theresa Sparks who is running for office there. She is another person, like Barack Obama, whose meaning and work and presence is almost mythological. Almost legend. Her story is much like that of Harvey Milk, and she is so similar that Stuart Milk has spoken on her behalf many times and also is a major player in her campaign for office in San Francisco. I have had the pleasure of knowing Theresa for many years. I first met her when she invited me to join the board of Good Vibrations, where I served for two years. I got to know her very well through our many board meetings and lots and lots of dinner parties talking late into the night. I was impressed by her on so many levels. Theresa Sparks is a transwoman who has fought homophobia and prejudice and hatred coming from so many different sides, eventually prevailing over so much ignorance to finally becoming President of the police commission. It’s incredible that a transgendered person is capable of surviving in the police force at all but to have the strength and passion and intellect and moxie to actually become the President of the police commission – it’s a downright miracle. I believe in Theresa Sparks and her continuing capacity for miracles. She has worked tirelessly for the LGBT community in San Francisco, focusing primarily on the transgendered community, which is the part of our family that always seems to get left out, and she is a true political icon and heroic figure for me and countless others.



Still, her campaign has been fraught with much ignorance. When seeking endorsement from the ‘liberal’ women’s political groups, Theresa has been told that they only support ‘real women.’ I think this is disgusting. Not only is Theresa Sparks a real woman, she is an inspiration to all women. She is a fighter, a survivor, a whipsmart businesswoman, a mother, the kind of leader my beloved hometown needs. She is someone who will change San Francisco, and in doing so, change the world, something that has to happen and happen right now. I no longer live in the beautiful city by the bay, but I still love it, I still care about what happens there and so I urge you to see what Theresa Sparks is doing. Like Obama, she’s a symbol that the world is changing. And we are all better for it.



David Duke Cock

Monday, February 15th, 2010

John Mayer is deeply sorry, and everyone is accepting it. Our society allows racism in people as long as there is an apology after. It’s better if it is tearful and really should be accompanied by an icon like Rev. Al Sharpton or Bishop Desmond Tutu in your corner, like they have your back. Like they are gonna notarize your ‘hood pass.’



I am angry about the hateful word he used. And I am super mad about the other thing….What does it mean that he has a “David Duke cock?” Is that supposed to mean that women of color are not sexy and beautiful? That women of color are unfuckable to him? That is rude and disgusting and I don’t care if his music is good (I don’t know it well, so I can’t say. I only love Jon Brion and Garrison Starr and Ani Difranco and Grant Lee Phillips and Tegan and Sara and Cypress Hill and Billie Holliday and Doria Roberts and Fiona Apple and Joan Armatrading and MIA and The Cliks and Miles Davis and David Bowie and Ben Lee and Susie Suh and Rachael Yamagata and Andrew Bird and I don’t know much about how John Mayer sounds).



What I do know, is to say you have a ‘David Duke cock’ is demeaning to women of color. What I know is it’s a slap in the face to all beautiful women of color. And I must say, it’s hard enough to be a woman of color in this world and feel beautiful. It’s hard enough to live in this skin and feel good without having rock stars saying that you are not worthy. We feel unworthy enough. Society tells us enough we are not worth it, by not including us in anything. By not showing us in our glory. We are not presented in the movies or TV as much as beautiful desirable creatures. We are barely shown at all. And then you – John Mayer – rock ‘god’ tell us that we are not fuckable? I don’t care if you don’t want to fuck me. But keep this to yourself. Keep the idea that you don’t like to fuck women of color to yourself. Keep it from our ears because we don’t need to hear that the man who would say “your body is a wonderland” really only means it if our bodies are white, if our hair is blonde. If we are Jessica Simpson. And only if we are Jessica Simpson.



Keep this from the ears of all the young beautiful young girls who love you, who have your posters on their walls and now are looking at those posters and feeling weird because they are not white and now your music, which they so loved, makes them feel bad inside. Like you don’t love them. Like you never did. Like if you saw them you would look the other way. Like they’d be invisible to you because they are not white. These young girls who are not white – they loved your music so much and you are paying them back for it with arrogance and blistering hatred that you don’t even know would hurt like it did. I am glad not to have known your music before this and been a fan of it, because if I loved you before and you said that, it would make me hate myself even more than I do already. This revelation of yours would have crushed me. If I was a young fan of yours and you said that it would hurt me so much. Thank god I am not. Was not. But I am hurting now for the many many many many many young girls who are fans of yours. You wounded them and they will never be able to heal. Ever. I hope you read this. I hope you think about this part of it. it’s not been talked about in press. But I hope you know that part. The young girls who love you who are not white. Think about them. So it keeps you from doing it again.



I try to think about Duran Duran, and how I loved them and how they always had women of color as objects of desire in their videos. In “Hungry like the Wolf,” Simon was chasing down a beautiful black/asian mixed girl. In “Rio,” she was latino with curvy hips and black hair and a bright bright smile. If they’d said something back then like what you said John Mayer, I would have killed myself. I would have died. If they said only white girls got them hard, it would have been the end of me.



It’s sickening to think that we can exist in a world where these words of hate can be cast off quickly without repercussion or blame. People forget. But that doesn’t make racism go away. It infuriates me because I can’t cast off my ethnicity with an apology. These are people who have never been discounted because of their race. They’ve never been left out of a comedy show because they’ve already got an asian or a gay or a woman. They’ve never been passed over for a part because the producers decided not to ‘go ethnic.’ They’ve never had to endure the invisibility that people of color live with on a daily basis.



I am so used to being invisible it stuns me when people pay attention to what I say. I am so used to blending into the scenery that it’s shocking that anyone cares what I do. I am so used to people looking at me like I am ‘the help’ that it doesn’t even bother me. I just stay there and I try to help. And I don’t care. These stars who toss about racist hateful speech have never felt what it feels like to be called something hateful – that they cannot deny. They’ve never been in that situation, when you are a victim of hate, but you have to agree. That is what racism is. What hate speech is. Why it’s so terrible is that the word you may have called me – it’s correct, in your racist estimation. It hurts because its meant to. That is why we don’t use those words. Because of the history and the pain and the shame and the tears and the rage they have caused.



Even though I love Lenny Bruce, I do have to say, I disagree when he says that these words can’t hurt you. I think they do. They hurt me. When people use hate speech, it hurts me. It hurts even though I am not that particular race. It hurts because I know what it feels like to be in an inescapable skin. I can’t escape this color. I can’t be the right color. I can never.



It could be hard too for those who are not ‘of color.’ I am never going to be white, and I’m never going to know what it feels like to have the responsibility of not being a racist. I guess I feel bad for white people sometimes because they do have to watch what they say, but then again, it really doesn’t matter does it? Michael Richards is back on tv, and it’s cool. Everyone’s forgotten his terrifying, violent rant that to me sounded like what klansmen would say before they lynched someone in the 30s. I don’t know him, and I don’t know personally that he’s a racist. All I know is that in the two times that I have seen him in public, close enough to touch, he has been screaming at someone, and those people were not white. I guess he was sorry because he got caught doing what he normally does and it was on TMZ and it made him look bad to the world. He was super sorry about it. Way super sorry. And that is nice that he was sorry. He even went to Mexico behind it, as if there was some special retreat for racists there where you could read bell hooks and Angela Davis and Cornel West all day and think about what is wrong with you and right with them.



Dog the Bounty Hunter never left the small screen. His racism was kind of just buried under that amazing mullet. I don’t know if he is racist, but I think his hair is racist.



And Mel Gibson never had to stop making movies. He is even in a big one now. Really big. And no one mentions a thing.



Does racism hurt your career or is it good for it? I don’t know. If I was white, I think I would try to be as racist as possible because it keeps you current. Keeps you relevant. People will tweet about you more. People will be outraged but you’ll still be on the homepage of Yahoo and everyone will want to know exactly what you said, when you said it, and how you said it. And aint that showbiz?



Racist Camera

Friday, January 22nd, 2010

Now who uses cameras more than Asian people? Of course that is a racist and stereotypical assumption, but I am Asian and I am allowed to make racist and stereotypical assumptions as they refer to me! I am mostly a videographer myself, but many, many, many members of my family are straight up photo addicted. And my Asian friends sometimes get so hopped up on taking pictures that that they get ‘picture drunk.’ They try to get people to pose together, staggering further and further back to get a better shot, to include all the faces in the frame, to make sure nothing is growing out of someone’s head in the background, or to make sure something is growing out of someone’s head in the background. Like drunks, they are in their own universe, not knowing or caring when they are about to knock into some unsuspecting bystander. If they aren’t in the frame, they don’t exist. They shouldn’t exist. All they care about is the picture, and not that your drink is going to be spilled everywhere. All they care about is the shot. They are high on the frame and getting something good to put up on their facebook so they can tag away! So it upsets me to no end that some of these newfangled face detection cameras are actually racist! Asian people using them are told by the camera that the subject blinked – when in truth, this is how our eyes are!



I have had it with the inherent racism in so many different types of products. I can’t wear a sleeping mask, even though I must sleep many times during daylight hours because of my work schedule. Almost every kind of sleeping mask I have ever tried pushes my eyes back into my skull. I don’t have deep eye sockets. My eyeballs are seated at the front of my face, which is common in most Asian faces. And so I stay awake all day long when I desperately need sleep. Because of racism! I have never had a pair of glasses fit properly because I don’t have a raised bridge on my nose. My nose will not support eyewear. It’s like the world would rather I not see. I don’t wear sunglasses because of this bizarre phenomenon. It seems that 1/4 or more of the earth’s population is in the same boat as I when it comes to glasses. We are the boat people who are not supposed to sleep, not supposed to see, and not supposed to take pictures to witness what is happening to us!



If you can find me a non-racist pair of glasses, a sleeping mask that will not hold my head hostage and a face detection camera that understands that Asian people are not ‘blinking,’ then you will have found the beginning of true progress.