Posts Tagged ‘Racism’

Chop Suey Font

Wednesday, March 21st, 2012




Oh if I had a dollar for every time I have seen ads promoting me with racist caricatures, fonts or descriptions – I would have many, many, many dollars, flying off me like lettuce leaves that you could roll up some rice and dried shrimp and chili paste in. The first time was when I was about 16 or 17, on a wall of hastily pinned up notices for upcoming shows. My name blazed in big bright letters in the Chop Suey font, pointy, sword shaped lines to create words, familiar from Chinese restaurants and pretty much anything of Asian origin repackaged and sold everywhere that is not Asia.



Under my name, which was tremendously exciting to see in print, way back then, no matter what font it was in, was a small caricature of a coolie, in a rice paddy hat, with bucked teeth and holding chopsticks, rice spilling out everywhere. The futility of rice eaten with chopsticks – this has never made sense to me. It’s very hard to pick up these tiny pieces of food with sticks. I haven’t gotten the hang of it yet. I am not sure I will ever, if I haven’t by now.



The description of the show continued in smaller typeface which still had an ‘Oriental’ flavor, but was not as boldly racist as the Chop Suey font. It said, “proof that that the Chinese are no laughing matter!” and this was wrong for a number of reasons. If we are no laughing matter, then that is not the function of a comedy show, which is ostensibly all about laughing matters. That was the statement that bothered me the most. I would like to be a laughing matter, no matter what.



Also, I am not Chinese, well, not really. I am of Korean descent, and it was recently discovered through very complex DNA testing that I am actually Chinese. But the people who put this ad together would not have known that. I didn’t even know that until about a month ago. All this time I thought I was Korean, but my genealogical profile states that my DNA is Chinese, so this proves that we are all the same inside, we just have different sauces.



There’s the racist caricature, which went beyond the bounds of any kind of reason or taste. He’s a man, not even a woman. He’s got a long braid and glasses. I have neither. His image is taken from the railroad workers who came to America to build the rails in the 1800s, as then he must have looked as mysterious and foreign as anyone could be, in that day and age.



It was all fairly awful, extremely racist and disturbing, but I remember still being pleased. Seeing my name up there took the sting of all the other insults away. The fact that I would be on the stage that particular night, that my performance would contradict and control the messages sent – it made up for it, at least to me. I thought I would correct it in the telling, that the people would come for one thing and leave with something else. The show didn’t turn out like that, as they never are what you think they are going to be. It wasn’t a good night, but early on, there weren’t lots of good nights. Everything is much better now, except for the fonts!



I am doing a show soon at Cornell University, which is exciting, and the advertising for it originally used the chop suey font to spell out my name. I guess I am numb to it, but I don’t feel anything when I see it anymore. I am so used to having things this way, the way it’s always been, accepting and swallowing racism down without argument or splatter. I am not sure what to do when this type of ignorance is fought against. The poster was written on, telling everyone off and circling the sword like letters “this font is not ok”. I appreciate the effort that someone has gone to on my behalf, and for the Asian American students on campus who don’t need to be bombarded with racist imagery. It makes me think that things are changing for the better, and I think that anger is a great tool to make wrongs right. I realize how many times I have let stuff like this go, because it’s happened more than I like to admit. In the constancy of my racial awareness, I have been worn down, the grooves in me low and smooth. I leap into rage whenever women’s bodies are scrutinized negatively but I am slow to defend my ethnicity and my queerness. I am only one person. I cannot fight all these battles myself. I need an army.



Taste the Linsanity

Wednesday, February 29th, 2012

If there had been an open container of ‘Taste the Lin-sanity’, the racially lin-sensitive ice cream flavor from Ben and Jerry’s, right in front of me, I would have been offended, but I still would have wanted to try it. I do like a vanilla-lychee blend, it’s kind of Eurasian or Africa by way of Asia. It’s pretty exotic. There were also fortune cookie pieces in the mix, which actually seems kind of gross, as they are too lemony and stale in general, unless they are extremely fresh, which is rare because they are labor intensive with the message and everything. They tend to get made and sit around and for this they are made to sit around.



Is a fortune cookie still one when it lacks the fortune?



Were there little cryptic messages in the creamy concoction?



“Your sudden appearance will make everyone momentarily racist but not in an entirely unpleasant way, as sometimes they will have desserts.”



What a strange way to exhibit stereotyping – through ice cream. That is totally new. I agree that the flavor should be discontinued for the diminishing quality it frames asian American artifact and history and culture in, as it trivializes us and shows us to be merely capable of takeout food and not a political point of view, but also I think that fortune cookies are not delicious. They have potential, but it is rarely realized.



Once when I was a child I was taken by nuns to a fortune cookie factory. I must have been five, and in the care of women who wore all black with the exception of one who wore all white, and they were busy but not mean in the way I have heard many speak of nuns. I thought they looked pretty and I wondered about their hair. The fortune cookies popped off the assembly line, golden brown and perfect, filling the air with a sugary batter scent. I broke them and cast away the fortunes, being unable yet to read, and gobbled down the shards in glee. I ate a number of them, trying to capture the magic of the first bite. Even as a preschooler, I was chasing the dragon.



In the years later I would never find that taste again, and my parents rarely partook of them, as the fortune cookies sat inert and plastic wrapped on a mound of cash after dinner at Chinese restaurants. My parents didn’t care what they said inside. They were too tired from work and wanted to go to bed. They barely spoke when they ate and stood up nearly before the checks were laid down on the table. They’d pay at the counter and my father would walk out first fast down the street on his long legs. I think that the tips left were proportionally too small and they wanted to get out before the discrepancy was noticed.



That is what fortune cookies mean to me. Exhausted people living beyond their means without the support systems of extended family, trying to keep up and sometimes failing, like batteries losing their charge with no outlets to plug into.



Maybe Ben and Jerry’s thought this flavor was cute and somewhat of a tribute, as fortune cookies mean something different to them. There’s super great Chinese takeout food in Vermont – one detail I retained on a visit I paid there once to the campaign offices of Howard Dean, then just beginning his presidential run. Chinese food is a good prelude to ice cream, the salt balancing the sweet fat.



I start to think of people not meaning to be racist but lacking the language to speak about Asian Americans, us having endured invisibility for so long, they simply don’t know what to say. They don’t know how to talk about us beyond restaurant menus where you order by the number not the name of the dish as that’s too hard to pronounce, because they haven’t had to. It’s infuriating but at the same time expected. It’s hard to take but I will take it over non-existence.



And give me Phish Food every time.